|
|
|
|
|
|
|
|
Oil Paintings
Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists. |
|
|
Naldini, Giovanni Battista
Italian, 1537-91
was an Italian painter of a late-Mannerism in Florence. His first apprenticeship (1549-57) was in the studio of Jacopo Pontormo. He went from Rome for a number of months following 1560, and was recruited to work for Giorgio Vasari in 1562. He painted two crowded, mannerist canvas for the Studiolo of Francesco I in the Palazzo Vecchio: the Allegory of Dreams and the Gathering of Ambergris. He supplied altarpieces to Santa Maria Novella and Santa Croce. He painted an altarpiece of Calling of Saint Matthew for the Salviati Chapel in San Marco, where he worked alongside Francesco Morandini. Ultimately, he is aptly described by Freedberg as displaying work distantly derivative from the style of Andrea del Sarto, as expressed by Naldini's two mentors and Sarto's two pupils: Pontormo and Vasari. |
|
|
|
|
|
|
|
|
|
|
|
Naldini, Giovanni Battista
Bathsheba Bathing
Oil on canvas, transferred from panel
The Hermitage, St. Petersburg.
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Naldini, Giovanni Battista
Bathsheba Bathing
mk65
Oil on canvas
tranferred from panel
71 1/2x59'
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Naldini, Giovanni Battista
Lamentation over the Dead Christ
between 1572(1572) and 1573(1573)
Medium Oil on poplar
cyf
|
| |
|
|
|
|
|
|
|
|
|
|
|
1 | |
|
|
|
|
| Naldini, Giovanni Battista
|
Italian, 1537-91
was an Italian painter of a late-Mannerism in Florence. His first apprenticeship (1549-57) was in the studio of Jacopo Pontormo. He went from Rome for a number of months following 1560, and was recruited to work for Giorgio Vasari in 1562. He painted two crowded, mannerist canvas for the Studiolo of Francesco I in the Palazzo Vecchio: the Allegory of Dreams and the Gathering of Ambergris. He supplied altarpieces to Santa Maria Novella and Santa Croce. He painted an altarpiece of Calling of Saint Matthew for the Salviati Chapel in San Marco, where he worked alongside Francesco Morandini. Ultimately, he is aptly described by Freedberg as displaying work distantly derivative from the style of Andrea del Sarto, as expressed by Naldini's two mentors and Sarto's two pupils: Pontormo and Vasari.
|
|
|
|
|
|
|
|
